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Creativity Motivation – What is motivation – Corey K Katir
Advertising From http://www.creativitymotivation.com Describes motivation process for creativity with emphasis on intrinsic motivation by Corey K Katir The Relativity Mind Trap: How Comparisons Can Lead Us Astray
From feedproxy.google Our minds make sense of the world by making comparisons. Itas human nature, but it can also lead us to think irrationally and make bad decisions. Learn how this mind trap works and how to escape it.
Framing Changes Everything
From feedproxy.google How you frame a problem profoundly influences the solutions you get. And itas too easy to fall into thinking traps when it comes to it. Letas look at one of these traps a and offer some ideas on how you can overcome it.
Click here to read our Sony SLT-A37 preview
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Press Release: New Model Features High-Quality 16.1MP APS-C Image Sensor, up to 7 fps Shooting, High- Resolution Electronic Viewfinder and more
SAN DIEGO, May 16, 2012 – Lightweight, easy to use and packed with a variety of useful features, the new Sony SLT-A37 camera is an ideal choice for consumers eager to explore the world of interchangeable lens DSLR photography.
The new α37 camera is the latest to feature Sony’s acclaimed Translucent Mirror Technology, which delivers a potent combination of fast shooting, non-stop phase detection autofocus and continuous live image preview during still and full HD video (60i/24p) shooting. This innovative technology also allows the new α37 camera to grab split-second action with a burst of sharply focused images. Shots can be captured at up to seven frames per second in Tele-Zoom High Speed Shooting Mode, where the central portion of the sensor’s image is magnified by approximately 1.4x.
The camera has a precision 3-cross 15-point AF system with tracking autofocus that keeps faces and fast-moving subjects in sharp focus. From action-packed sports to spontaneous family portraits, it will ensure that all the drama and beauty of that special moment is captured.
“Delivering lightning-fast shooting speeds and autofocus plus advanced full HD video capture, our innovative Translucent Mirror Technology continues to serve as the backbone of our A-mount line of cameras,” said Mike Kahn, director of the Alpha business at Sony. “Featuring this unique technology plus a host of exciting new features and an attractive price tag, our new α37 camera brings a whole new meaning to the term ‘entry level DSLR’.” Additionally, the Sony α37 camera helps inexperienced photographers create top-quality portraits with ease. The new Auto Portrait Framing mode identifies the subject’s position in a composed image and follows the “rule of thirds” to trim the scene and create a beautifully framed portrait. The cropped photo is then boosted to full resolution using Sony’s unique By Pixel Super Resolution technology, which uses pattern matching to maintain superb image detail, tones and textures in the photo. Both the original and cropped image files are saved for review.
By Pixel Super Resolution Technology is also used for the “Clear Image Zoom” feature, which digitally doubles the effective magnification of any lens attached to the camera. Ideal for travel and everyday shooting, it’s a great way to boost maximum focal length without carrying extra hardware.
The 16.1 effective megapixel Exmor® APS HD CMOS sensor inside the α37 camera captures finely detailed, low noise stills and Full HD video. It’s teamed with the latest BIONZ® image processor that extends sensitivity to an ISO 100-16000 range, broadening options for low-light shooting without flash. Shared with all α A-mount cameras, SteadyShot INSIDE™ stabilization cuts the effects of camera shake by up to 4.0 stops for clearer handheld images with any A-mount lens.
The new α37 camera also features Superior Auto Mode, which intelligently recognizes a wide range of scenes and subjects and adjusts settings automatically.
New A-Mount 18-135mm Telephoto Zoom Lens and Accessories A versatile match for the α37 and other Sony A-mount camera bodies, the new SAL18135 18-135mm F3.5-5.6 telephoto zoom offers a generous 8x (approx.) zoom range in a compact, go-anywhere lens that’s great for travel, street photography and everyday shooting. The lens features a SAM design that assures smooth, rapid, whisper-quiet autofocus operation and Direct Manual Focus for accurate fine-tuning of focus. This sharp telephoto zoom lens will also be offered as a kit lens with the α37 and other Sony A-mount camera bodies.
Compatible accessories include the new PCK-LM11 semi-hard screen protector sheet, exclusively designed for a perfect fit with the LCD screen on the α37 camera, as well as the HVL-F43AM flash, LCS-BP2 backpack and a variety of other exciting products that complete the Alpha ecosystem.
Pricing and Availability
The new α37 digital camera will be available this June with an 18-55mm kit zoom lens (model SEL1855) for about $600. The new SAL18135 telephoto zoom lens will be available as a stand-alone product this July for about $500, and will be offered as a kit lens with Sony A-mount cameras beginning this August at the below approximate prices:
The camera kits, new lens and variety of accessories will be available at Sony retail stores (www.store.sony.com) and other authorized dealers nationwide.
With its 62mm filter thread, minimum focusing distance of 0.5m and 17 element/13 group design, the SEL18200LE does look a lot like the lens Tamron announced in December 2011.
Click here for our hands-on preview of the NEX-F3, including real-world samples
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Press Release: Lightweight Model Features 16.1 Megapixel APS-C Sensor, 180° Tiltable LCD, Built-in Flash, Auto Portrait Framing and more
SAN DIEGO, May 16, 2012 – Sony’s α NEX-F3 digital camera delivers professional quality photos with a compact, pocket-sized body, allowing consumers to explore the creative world of high-quality, interchangeable lens photography in a refreshingly fun and entertaining way.
The new NEX-F3 camera features the same space-saving mirrorless design as other models in Sony’s E-mount family as well as an advanced, 16.1 effective megapixel Exmor™ APS HD CMOS sensor, identical in size to sensors found in traditional DSLR cameras. The large sensor takes in more light during image capture, resulting in flawless, low-noise photographs and crisply detailed Full HD videos (60i/24p). Photographers can also easily create images with beautiful defocus effects, where the subject is focused sharply against a smoothly blurred background.
“Sony continues to redefine digital photography with our E-mount series, packing a large APS-C size sensor into a small, lightweight camera body to produce professional-quality images with ease,” said Mike Kahn, director of the Alpha business at Sony.
“Featuring a diverse set of imaging technologies and offered at a great price, the new NEX-F3 model reinforces our commitment to this rapidly growing compact system camera market.”
The NEX-F3 camera adds a whole new perspective to self-portraits with a 180° Tiltable LCD screen, a first for Sony’s E-mount camera line. By simply holding the camera at arm’s length and flipping the LCD screen vertically, users can adjust the on-screen preview image and properly frame photos.
Additionally, the new model features a useful built-in flash to broaden shooting options indoors or in low light situations. Already introduced on Sony’s acclaimed NEX-7 camera, this pop-up flash handily brightens portraits and other shots without the need to carry an additional flash accessory.
The new NEX-F3 camera also includes the new Auto Portrait Framing feature for creating top-quality portraits quickly and easily. This innovative feature identifies a subject’s position in a composed image, and follows the “rule of thirds” to trim the scene appropriately around the subject’s face, creating a beautifully composed portrait. The cropped portrait is then boosted to full resolution using Sony’s unique By Pixel Super Resolution technology, which uses pattern matching to maintain superb image detail, tones and textures in the photo. Both the original and cropped image files are saved for review.
By Pixel Super Resolution Technology is also used for the “Clear Image Zoom” feature, which digitally doubles the effective magnification of any lens attached to the camera. Ideal for travel and everyday shooting, it’s a great way to boost maximum focal length without carrying extra hardware.
Other convenient essentials added to the new NEX-F3 camera include the Superior Auto mode, which intelligently recognizes a wide range of scenes and subjects and adjusts settings automatically. Battery stamina has been boosted to an industry-leading 470 shots (approx.) on a single charge – an approximate 18% improvement over its predecessor, the NEX-C3 model.
The camera is compatible with the FDA-EV1S viewfinder accessory (sold separately), which offers a high-contrast, high-resolution OLED viewfinder display and a wide viewing angle. The NEX-F3 model also features a high-quality, premium-feel grip for more comfortable handling and can be charged via either USB or a standard AC outlet.
New Lightweight 18-200mm Telephoto Zoom Lens for Sony α NEX An ideal travel partner for the NEX-F3 camera, the new SEL18200LE E18-200mm F3.5-6.3 OSS LE telezoom lens offers a powerful 11x zoom range and superb resolution in an easy-to-carry package. Smaller and 12% lighter than the SEL18200 lens, the new E-mount model features Optical SteadyShot to compensate for the effects of hand-shake. It also features Direct Manual Focus to give users precise control over focus settings, resulting in crisp, beautiful images.
Pricing and Availability
The new NEX-F3 compact digital camera will be available this June in silver, black and white with an 18-55mm kit zoom lens (model SEL1855) for about $600. The new SEL18200LE telezoom lens will be available this July in black for about $850.
The camera kit, new lens and a variety of compatible accessories including the LCS-EJC3 carrying case, STP-XSG1 shoulder strap and STP-WS2 wrist strap will be available at Sony retail stores (www.store.sony.com) and other authorized dealers nationwide.
We’ve been able to borrow a pre-production Sony A57 and have prepared a preview that includes both real-world and studio sample images. Many of the camera’s features – 16MP sensor, 1.44m dot LCD viewfinder are familiar but they all come wrapped in a larger, more comfortable body, powered by a larger battery. We’ve shot samples in a series of the A57′s modes, including its Auto Portrait Selection Framing mode – in which the camera crops an image with a face in, in-accordance with the rule-of-thirds.
Although the A57 we borrowed is a pre-production unit, Sony has told us the image quality is final standard, so has allowed us to publish its output. Our preview includes a selection of real-world images, shot in a variety of situations, using a selection of settings and shooting modes, and under a range of lighting conditions.
Click here to read our hands-on Sony SLT-A57 preview
Sony announces SLT-A57 and HVL-LE1 LED panel for movie lighting
From dpreview.com
Sony has announced the SLT-A57, a replacement for the original A55 fixed-mirror, electronic viewfinder DSLR. The A57 still features a 16MP sensor and LCD viewfinder but incorporates them into essentially the same body as the more expensive A65. Use of the latest Bionz processor means the A57 offers a wider-than-ever selection of photographic features and image processing modes. There’s also an optional HVL-LE1 video-lighting LED panel.
The A57 will have an MSRP of $799/€849, bundled with an 18-55mm F3.5-5.6 lens.
The HVL-LE1 has an output of 1800lux/0.5m with a color temperture of 5500K. It can be adjusted down to 10% of this output if needed. It comes supplied with both a Sony Alpha and ISO standard flash shoe connector, allowing its use with non-Sony cameras. Its MSRP will be $249. The LE1 comes with a warming filter (taking the output to around 3200K, and is compatible with AA batteries or Sony M or V series rechargeable battery packs.
Click here to read our hands-on Sony SLT-A57 preview
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Press Release: Advanced Feature Set Includes 12 fps Shooting, Full HD (60p) Video Capture, New Auto Portrait Framing and more
SAN DIEGO, March 12, 2012 — A wider palette of creative options is now accessible to more shooters with the α57 camera, the newest addition to Sony’s popular line of A-mount cameras employing Translucent Mirror Technology.
The innovative Translucent Mirror design directs incoming light to the CMOS image sensor and the AF sensor at the same time, allowing full-time continuous AF during both still and video shooting. Users can also frame, focus and preview shots in real-time on the high-resolution Tru-Finder™ electronic viewfinder, which offers a wide viewing angle and 100% field of view. This allows photographers to capture exactly what they see on the screen.
A natural successor to Sony’s acclaimed α55 camera, the α57 is positioned for a wide audience of DSLR users. It can shoot still images at up to 12 frames per second, capture full HD video at 60p, 60i or 24p frame rates and has a variety of creative modes including Auto Portrait Framing, a world’s first technology
“Today’s DSLR consumer is looking for a higher level of control and flexibility in their camera,” said Mike Kahn, director of the Alpha camera business group for Sony Electronics. “With the introduction of the new α57, we’re bringing blazing fast response rates, enhanced artistic capabilities and other advanced features to the mainstream DSLR marketplace, offering professional-grade performance at affordable prices.”
With the α57 camera, shooting speeds of up to 12 frames per second are achieved in new Tele-zoom Continuous Advance Priority AE mode, maintaining continuous auto focus and auto exposure with fixed aperture. Magnifying the central portion of the sensor’s image by 1.4x, it’s perfect for capturing split-second action close-ups with a burst of sharply focused images, even when the subject is moving. In this shooting mode, aperture is fixed at either f/3.5 or the maximum aperture of lens in use (whichever is smaller) and image size of photos is about 8.4 megapixels.
Additionally, the α57 camera lets people create powerfully expressive Full HD movies. Responsive full-time continuous phase detection AF ensures that moving subjects stay sharply focused, just like with still shooting. Support for the AVCHD™ Ver. 2.0 (Progressive) format means that Full HD resolution movies can be captured with 60p frame rate: ideal for capturing smooth, blur-free action. Shooting in 24p is also available to give footage a rich, cinematic look. Movie-making options are enhanced further with full control over P/A/S/M shooting modes for virtually limitless creative expression.
The α57 model shares the α65’s 15-point AF system with three cross sensors delivering fast, accurate TTL phase detection autofocus. Newly enhanced Object Tracking AF keeps faces or other selected objects in sharp focus – even if a target is obscured momentarily by another passing object.
Even the novice photographers can now easily create pro-style portraits with the α57 thanks to new Auto Portrait Framing, a world’s first technology. Using face detection and the compositional ‘rule of thirds,’ the camera identifies a subject’s position, trimming the scene to create tightly framed, professional-looking pictures in portrait or landscape orientation while maintaining a copy of the original image. Saving both the original photo plus the adjusted version allows for easy comparison between the two images, offering photographers inspiration to refine their portrait skills.
To get closer to the subject, 2x Clear Image Zoom digital zoom technology doubles the effective magnification of your lens and is a highly practical alternative to travelling with a bigger, bulkier telephoto lens. The camera uses Sony’s “By Pixel Super Resolution Technology” to ensure that cropped and zoomed images retain full pixel resolution.
Additionally, the model’s range of popular in-camera Picture Effect modes includes 11 different effects and 15 total variations – offering a generous palette of ‘PC-free’ artistic treatments, including Pop Color, HDR Painting, Miniature Mode and much more. Results can be previewed directly in live view mode on the LCD screen or in the new Tru-Finder™ electronic viewfinder while shooting either Full HD video or stills.
Still and video shooting, framing, focusing and real-time preview of exposure adjustments are a pleasure with the new Tru-Finder™ electronic viewfinder. With ultra-detailed 1440k dot resolution and a 100% field of view, it rivals quality optical viewfinders. There’s a choice of selectable high-resolution information displays with a wide viewing-angle to help consumers shoot with confidence, including a digital level gauge and framing grid. Information can be displayed either directly in the viewfinder or on the angle-adjustable 7.5 cm (3.0-type) Xtra Fine LCD™ display.
Ensuring detail-packed images, the 16.1 effective megapixel Exmor® APS HD CMOS sensor is teamed with a latest-generation BIONZ® engine. Refined by Sony during the development of its flagship α77 and high-end α65 cameras, this powerful processor effortlessly handles large amounts of image data for flawless, low-noise images and Full HD video.
Thanks to the BIONZ processor, creative shooting opportunities are boosted by an outstanding sensitivity range of ISO 100-16,000. Users will experience consistently natural, low-noise images – whether shooting at fast shutter speeds to freeze dynamic action or handheld without flash in low light. The new α57 interchangeable lens camera will be available this April with an 18-55mm kit zoom lens for $800 (model SLT-A57K). It will also be offered as body-only for about $700 (model SLT-A57).
Sony will also be introducing a new battery-powered LED video light, model HVL-LE1, which broadens options for recording video indoors or in low light. This new accessory will be available this month for about $250.
The camera, camera kit and a wide variety of Alpha accessories are sold at Sony retail stores (www.store.sony.com) and other authorized dealers nationwide.
Rollei dp8300
From dpreview.com
Press Release: July 2005 - Stylish 8.1-megapixel Rollei digital camera dp8300 opens up new horizons Over eight million sensor pixels are no longer a preserve of professional digital cameras. With the Rollei dp8300, any discriminating shutter bug can now give full rein to his or her creativity.
Special highlights of the Rollei dp8300: Duration of video recording limited only by the capacity of the storage medium and option of recording in high-quality TIFF format. The Rollei dp8300 will be available by the end of July 2005 for €349.- (incl. VAT); a 64MB SD memory card is supplied with the camera.
The Rollei dp8300 undeniably offers greater possibilities than comparable digital cameras. This is due in great part to its sensational 8.3-megapixel resolution that is an optimum basis for creative editing or large-format printing. Framing your pictures is where it all starts.
A 3x f/2.8-4.8 zoom lens with focal lengths from 7.5 -22.5 mm (equivalent to 36-108 mm in 35mm photography) and a powerful 5.1x digital zoom let you move in real close even to far-away subjects. A brilliant 2.5-inch TFT color monitor and an optical real-image viewfinder with eyesight correction make framing a cinch. Close up, focusing in the Rollei dp8300 is possible in the macro range from 5 to 50 cm. Beyond 50 cm, an autofocus system takes care of optimum focus.
An important asset for subsequent creative processing of images is the option of recording in TIFF file format. The slightly less memory-intensive JPEG format may be used in FINE, STANDARD or ECONOMY quality. There is a choice of four different image resolutions. In addition to stills, the Rollei dp8300 will also record video clips with the duration of recording being limited only by the capacity of the memory card. In the Standard mode, the clips are recorded with 30 images per second, in the Eco mode with 15 images per second and 640 x 480 pixels. SD memory cards with up to 1 GB may be used; a 64MB SD card is supplied with the camera. In addition, the Rollei dp8300 will also record brief commentaries of up to 30-second duration.
To give you maximum leeway for individual control, the camera offers an impressive range of options, starting with flash (Forced, Off, Red-eye Reduction) and white balance (Manual, Daylight, Cloudy, Tungsten, Fluorescent 1 and 2) to multi zone evaluative and spot metering, and right up to automatic TTL focusing. When it comes to exposure compensation, you have a choice of Auto or Manual over ±2.0 EV in 1/3 increments. The self-timer, finally, has delays of 2, 10 and 10+2 seconds. To transfer your stills or video clips to your computer or a TV set, the camera has a USB 1.1 and a video interface (NTSC, PAL). • 1/1.88″ Type CCD • Still: JPEG, TIFF
Rollei Prego dp5300
From dpreview.com
Rollei has today announced the metal-bodied 5.3 megapixel Prego dp5300. Similarly specified to its little brother the dp4200, it has a smaller LCD at 1.5 inches but a wider shutter speed ranging from 8 – 1/1500 sec as well as continuous shooting mode. And a built-in microphone allows you to record sound with 320 x 240-pixel video clips.
Press Release: Rollei Prego dp5300 combines 5.2 megapixels and a 3x zoom lens with voice and video recording A 1.5-inch LCD TFT color monitor and an optical real-image zoom finder make framing a cinch. And if your subjects are further away, a the 3x zoom lens plus a 2x digital zoom will bring them up close. The focal-length range of the 7.2-21.6mm f/2.8-4.7 zoom lens is equivalent to 35-105 mm in 35mm photography. Focusing is controlled automatically within a range of 0.8 m to infinity. A macrofocusing mode lets you shoot close-ups between 30 and 80 cm. The flash, white balance and exposure compensation are controlled automatically for easy candid shooting. Moreover, there is a self-timer with a delay of 2 s or 10 s. If you wish to take over control, for instance to make allowance for special shooting conditions, switch to manual. The built-in flash lets you choose between Forced, Off and Red-eye reduction. And if the lighting is critical, white-balance presets for daylight, cloudy, tungsten and fluorescent 1 and 2 may be the answer. Last but not least, there is the option of manual exposure compensation in 1/3 increments over ±2.0 EV. Depending on the intended use, image quality can be set – before each shot – to Fine, Normal or Economy. The choice of single frames or continuous shooting opens up even further creative possibilities. However, there is more to this camera than just stills: If you wish to record an entire scene with sound, simply switch to the video mode of the Prego dp5300. The camera will record short video clips with either 320 x 240 pixels. A microphone is built in, and an integral loudspeaker makes sure that you won’t miss the sound during playback. The Prego dp5300 supports the JPEG (EXIF 2.2), AVI, DCF and DPOF formats. The files are recorded on SD cards with up to 512 MB or transferred to your computer or TV set via the USB or video interfaces (NTSC, PAL). • 1/1.8″ Type CCD • 2560 x 1920 • 320 x 240 • 35-105mm equiv. (3x zoom) • Auto • Auto
Rollei Prego dp4200
From dpreview.com
Rollei has today announced the ultra-slim Prego dp4200 which offers a 4.2 megapixel CCD as well as video with sound. After announcing its highest resolution compact earlier this month, Rollei is aiming at the entry level market with lower priced cameras offering fewer megapixels. The metal-bodied dp4200 is just 24mm wide and boasts a 3x zoom and a large 2-inch LCD and takes SD memory.
Press Release: The extremely slim new Prego dp4200 digital camera by Rollei is the ideal “camera for all occasions” – with technical features to boot!
August 2004 Actually, it’s hard to believe how much “contents” you can squeeze into such a tiny package! Rollei are now introducing a powerful, but ultra-compact 4.2-megapixel digital camera in an especially flat metal body, complete with 3x optical and 3.6x digital zooms plus video and voice-recording options. The Prego dp4200 will be available for €299 ($360) from end of August 2004. Conventional camera functions are enhanced by high-grade technical features. The 4.2-megapixel CCD of the Prego dp4200 makes the best of even larger print sizes than A4. Its 3x zoom lens f/2.8-4.8 covers a range of focal lengths which in 35mm photography are equivalent to about 32.4-97.2 mm. Plus there is a 3.6x digital zoom.
A large, 2-inch TFT LCD color monitor and an optical real-image zoom viewfinder make framing very simple and fast. Autofocusing takes care of perfect focus between 0.5 meter and infinity. Even close-ups are easy with the Prego dp4200. Macrofocusing is possible within 6 and 50 cm. Most of the camera modes are available on Auto and Manual. For the built-in flash, for example, there are – in addition to the auto modes – “Fored”, “Off” and “Red-eye reduction””. For difficult lighting situations, there are manual white-balance presets for “Daylight”, ” Cloudy”, “Tungsten” or “Fluorescent 1 or 2″. „Forced“, „Off“ und „Red-eye-reduction“. And exposure can be compensated manually in one-third increments over +/- 2.0 EV. A self-timer with either 2s or 10s delay makes for entertaining group photos. Depending on the intended use and available storage space, you can select image quality from “Fine”, “Standard” and “Economy”. Using the Eonomy setting, for example, the possible 512 MB of an SD card can be put to optimum use. And if you wish to obtain even more space, you can transfer your data via the USB or video interfaces (NTSC, PAL) to your computer or TV set. • 1/2.5″ Type CCD • 2272 x 1704 • 320 x 240 (15 fps) • Auto
Rollei Prego dp6300
From dpreview.com
Rollei has announced its highest resolution compact camera to date in the shape of the 6.3 megapixel dp6300. The stainless steel-bodied camera also sports a 3x (35-105mm equivalent focal length) F2.8-4.7 optical zoom, a wide range of photographic features, ISO 50-200 sensitivity, shutter speeds from 8 – 1/1500th second, exposure bracketing and a 2.0″ TFT screen. The 6.3MP CCD produces image sizes up to 2816×2116 pixels, large enough for prints up to A3 size. The Rollei dp6300 will be available at the end of July priced €449 ($558.60).
Press Release: The imposing panorama from your last holiday, poster-size. A candid shot of your girlfriend, A3-size. Whoever would like to blow up his or her digital photos should turn to a high-pixel camera. Like the powerful new Rollei Prego dp6300 with its 6.3 megapixels. In its stylish and rugged stainless-steel body, with a 3x zoom lens and a 4x digital zoom as well as numerous custom modes and manual settings, the Prego dp6300 makes professional-quality photos accessible to amateur photographers. As of end of July 2004, the Prego will be available for €449 ($558.60).
The versatility of the Prego dp6300 is hard to beat: If you wish to send your friends a brief video message or record a particularly memorable scene from your holiday trip, capture a video clip with 320×240 pixels – even with sound because a loudspeaker and microphone are built in. Your video clips or photos can be recorded on SD cards with up to 512 MB and transmitted to a computer or TV set via the USB or video port (NTSC, PAL). And of course, there is an ample choice of recording formats: from JPEG (EXIF 2.2) and TIFF right up to AVI.
Optimum image quality is ensured by a 6.3-megapixel CCD sensor plus a high-quality zoom lens f/2.8-4.7 with focal lengths from 7.2 to 21.6 mm (equivalent to 35-105mm in 35mm photography). In addition to its 3x optical zoom, the Prego dp6300 has a 4.4x digital zoom. Depending on the intended use, pictures can be taken with fine, coarse or standard resolution or in TIFF mode (only with 2816×2116 pixels).
Automatic focusing is possible from 0.8 m to infinity, macrofocusing from 9 to 80 cm. Shutter speed is controlled automatically from 8s to 1/1500 s. An easy-to-read 2.0″ TFT color monitor displays the different settings. An optical real-image zoom viewfinder with eyesight correction makes for easy framing.
There is an ample choice of individual settings that can be varied for each photo. Thus you can choose between single frames and continuous shooting (five images) or bracketing (-0.67 EV, 0 EV and +0.67 EV). A dial controls shooting modes such as programmed AE, AV, TV, manual, portrait, sports and night. A built-in flash unit comes in handy when the light is low; it can be set to Auto, Off, Forced or Red-eye reduction. White balance with an auto mode plus presets for manual, daylight, cloudy, tungsten and fluorescent tubes 1 and 2 takes care of precise color balance even in critical lighting conditions. Exposure can be compensated either automatically or manually in one-third increments over +/- 2.0 EV.
Rollei d530 flex 5 mp D-SLR
From dpreview.com At the Focus On Imaging 2002 show last week in Birmingham Rollei had a mysterious camera in a glass case. It turns out that this camera is Rollei’s latest foray into the digital realm. The d530 flex is a five megapixel with a non-removable three times optical zoom digital camera with a true TTL optical reflex type viewfinder (even has a micro-lens focusing screen). Curiously the camera only captures in RAW format. Storage is provided by a PCMCIA slot and playback on a 2.5″ LCD monitor. This is a power hungry beast and requires no less than six AA batteries and is priced at £1,700 (inc VAT) – approx US$2,000 without taxes.
Press release: Rollei is upgrading its successful digital single-lens reflex camera family with the five-megapixel Rollei d530 flex
Equipped with a five million pixel CCD and clad in a new, sleek black look, the Rollei d530 flex is a worthy successor to the proven Rollei d30 flex. The digital SLR is fitted with a 10-30 mm f/2.8-4 HFT zoom lens. The images are captured via the PCMCIA interface on MicroDrive, CompactFlash or SmartMedia cards or on any other conventional media. With two automatic and one manual program, exposure control is extremely flexible. A wide assortment of flash modes ensure that the lighting is always perfect. An SCSI port is available for direct data transfer to a PC or Mac (or remote control), and there is also a video port. The Rollei d530 flex will be available in the 2nd half of 2002 and will cost under 1700 Pound Sterling (incl. VAT).
With its outstanding optical and technical refinements, the new Rollei d530 flex offers the more demanding digital photographer absolute top quality and ease of handling. Now packed with 5 megapixels and sporting a smart black appearance, it slips effortlessly into the squad of semi-professional digital cameras.
The Rollei d530 flex has a large, bright optical reflex viewfinder with a micro-lens focusing screen. It allows eyesight compensation between -3 and +2 diopters. The 2.5 inch TFT colour monitor with 112,000 pixels makes framing easy, particularly as the brightness can be regulated according to the angle of view. The camera status and current settings like the frame number, flash mode, self-timer, battery status, time, date, exposure data (speed/aperture), exposure correction, erase modes, single and double exposures, PAL/NTSC operation and manual release are indicated on the power-saving black-and-white LCD.
Exposure control is either manual or via two automatic programs -oriented to fastest shutter speed or maximum depth-of-field. The CCD chip permits centre-weighted TTL integral metering.
The phase comparison autofocus system provides for the necessary sharpness down to 0.6 m. In addition, manual focusing is possible via the focusing ring.
The Rollei d530 flex works with an integrated TTL-controlled electronic flash unit. Four flash modes ensure that the subject is always correctly illuminated: auto, fill-in flash – both with or without red-eye reduction – manual and flash off. Its range is 0.6 – 3 metres. The d530 flex has a hot shoe with TTL control for the Rollei f28 system flash. All other shoe-mounted flash units and flash equipment can be controlled via the hot-shoe contact or X-cable adapter.
The camera is powered by 6 rechargeable AA batteries or alkaline batteries.
As the five million pixel raw data of the Rollei d530 flex digital camera offer a big storage volume it is advantageous to use a USB-Offline connection via a USB-card reader. With this method the data which is stored on the memory card inside the camera is transferred via the USB-card reader directly to the PC or Mac, so that there is no waiting time. The big advantage is that the camera is immediately ready for use again.
Rollei will offer different customer-oriented versions of the Rollei d530 flex.
Ricoh announces CX6 CMOS compact superzoom
From dpreview.com
Ricoh has announced the CX6, the latest in its line of compact superzoom cameras. It features a 10MP back-lit CMOS sensor and the familiar 10.7x 28-300mm equivalent image stabilized zoom lens. The latest model features improved processing and hardware to offer faster focusing (with claimed AF times as fast as 0.1 sec), as well as a dedicated movie shooting button. It also gains Aperture and Shutter Priority exposure modes and the Sony WhiteMagic 1.23M dot VGA LCD screen. Featuring high-speed autofocus as fast as 0.1 seconds and zoom assist monitor for easier telephoto photography
Tokyo, Japan, November 15, 2011—Ricoh Co., Ltd. (president and CEO: Shiro Kondo) today announced the development and release of the CX6, a new digital camera featuring a high magnification 10.7x (28-300 mm) optical wide-angle zoom lens that achieves even shorter autofocus (AF) times through the introduction of a new AF system.
With the adoption of a new system enhancing both the hardware and software of the hybrid AF system introduced on the CX5, the new CX6 achieves AF focusing times as fast as 0.1 seconds. You will be sure to capture that fleeting shutter chance.
The high-brightness LCD monitor is approximately 1.7 times brighter thanathe previous model for better visibility outdoors. The CX6 also adds a function for automatic adjustment of brightness based on the level of brightness of the subject, and this make it possible to minimize the loss of visibility that can occur due to changes in the shooting environment. In addition, for telephoto shooting, the new zoom assist monitor function displays a small image on the LCD monitor so that you can always check the framing of the shot.
The new aperture/shutter-speed priority modes enable you to more richly express the atmosphere of the subject, and the snap movie function lets you more easily enjoy shooting movies. A release button especially for movies has also been added, and a wider range of functions (autofocus, zoom, etc.) are available for movie shooting.
The CX6 compact digital camera takes the design concept of “A tool you will want to use every day” another step forward.
Available in three colors: Black, Silver, and Pink. 1. Even greater speed achieved with enhancement of Ricoh’s original hybrid AF system
*AF focusing times were measured under Ricoh measurement conditions. 2. Easy framing of telephoto shots with the new zoom assist monitor function
3. Super-resolution technology and a noise reduction function for high image quality across a wide range of photo expression
4. Aperture/shutter-speed priority (A/S) modes have been added to the mode dial for even greater shooting freedom
5. 10.7x 28-300 mm optical zoom plus super-resolution zoom equivalent to up to 600 mm
6. Movie release button added for easier movie shooting
*The sound is recorded in stereo, but playback on the camera is done in monaural. 7. High-brightness LCD monitor approx. 1.7 times brighter than before; automatic brightness adjustment function also added
*White pixels added to RGB for approximately 1.23 million dots. 8. “Bleach bypass” added for more creative fun with creative shooting mode
Ricoh releases A12 28mm equiv. GXR module
From dpreview.com
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Press Release: Tokyo, Japan, September 21, 2010 —Ricoh Co., Ltd. (president and CEO: Shiro Kondo) today announced the development and release of GR LENS A12 28 mm F2.5, the fourth camera unit in the GXR interchangeable unit system. This product is being announced and exhibited at the photokina 2010 exhibition held in Cologne, Germany, beginning September 21, 2010.
Introduced in December 2009, the GXR is a revolutionary new interchangeable unit camera system in which lenses can be changed by mounting camera units that integrate lens, image sensor, and image processing engine into a single unit. In addition, to fully utilize this system’s unique ability to accommodate interchangeable units other than camera units, Ricoh is also investigating possibilities for development of a variety of other devices.
The new GR LENS A12 28 mm F2.5 brings together a newly developed 28 mm wide-angle fixed focal length GR Lens, an APS-C size CMOS sensor, and the proven GR Engine III image processing engine to create a unit with high flexibility, high image quality, high-speed shooting ability, and high power of expression.
Main features of GR LENS A12 28 mm F2.5
Newly developed GR Lens and APS-C size CMOS sensor for strong resolution and imaging power
Rapid shooting capabilities help capture fleeting shutter chances
High usability and quality feel
GXR series power of expression takes full advantage of GR Lens capabilities
Diverse functions of the GXR series
*1To be given the “GR Lens” name by Ricoh, a lens must exceed a specified level of overall lens performance, with particular attention being given to MTF values, distortion, and color aberration. Number of pictures shot in M-Cont Plus (1 set): 16:9
Toshiba’s Five-Megapixel PDR-5300
From dpreview.com Toshiba has today announced an addition to its PDR line of digital still cameras – the PDR-5300. It has a 5.0 megapixel CCD, 3X optical zoom lens with a wide aperture range, noise reduction technology, user-selectable shutter speeds, plus full manual control. “The PDR-5300 accommodates different types of users and levels of skill, from the discerning photographer requiring total manual control over shooting functions to the weekend digicam enthusiast who wants a high-performing, easy-to-use camera to capture special moments,” said Doug Freck, Vice President/General Manager, Toshiba Imaging Systems. It is expected to ship later this month with a MSRP of $399. Priced at $399, the PDR-5300 Packs Incredible Imaging Power Into a Stylish, Stainless Steel Casing
NEW YORK, September 15, 2003 (Digital Focus) – Toshiba Imaging Systems, a Division of Toshiba American Information Systems, Inc., today announced an addition to its popular PDR line of digital still cameras – the PDR-5300. It is expected to ship later this month with a manufacturer’s suggested retail price (MSRP) of $399.
Toshiba’s most advanced digital still camera to date, the PDR-5300 boasts high level features such as a 5.0 megapixel CCD image sensor, a powerful 3X optical zoom lens with a versatility-enhancing wide aperture range, state-of-the-art noise reduction technology, user-selectable shutter speeds (8 seconds to 1/1500 second), plus a full suite of optional manual controls, all working together to provide excellent photographic results in a variety of lighting conditions.
Because of the five-megapixel resolution (2560×1920), large, ultra-fine images can be printed in photo sizes up to 11.25 inches x 16.5 inches suitable for framing, business use and digital artistry.
“The PDR-5300 accommodates different types of users and levels of skill, from the discerning photographer requiring total manual control over shooting functions to the weekend digicam enthusiast who wants a high-performing, easy-to-use camera to capture special moments,” said Doug Freck, Vice President/General Manager, Toshiba Imaging Systems. “At $399, the PDR-5300 expands the range of consumer camera choices by offering superior features for the price of an entry-level digital camera.”
The PDR-5300 is one of the smallest 5.0 megapixel optical zoom equipped digital cameras on the market. The slim stainless-steel body (3.66″ x 2.32″ x 1.34″, 6.3 ounces), retractable lens barrel, and elegant grip accents are coupled with an ergonomic control layout to make the PDR-5300 both stylish and functional. The PDR-5300 is laden with advanced technological features ensuring the highest quality imaging. Some of these features include –
For information, U.S. customers call 1-800-288-1354. Fax, 1-800-470-9390. Or visit www.dsc.toshiba.com. Go to www.shoptoshiba.com to purchase the PDR-5300 and other Toshiba items on-line. • Auto • Lithium-ion battery (rechargeable)
Toshiba M Series with 10x Zoom
From dpreview.com Toshiba Imaging Systems has recently announced its new M Series range of digital camera, the PDR-M700 and PDR-M500. The PDR-M700 offers a 3.2 megapixel resolution, while the PDR-M500 offers 2.0 megapixels. Both have with 10x Canon optical zoom lenses (35mm equiv. to 35mm – 350mm) and 16Mb SD cards. The PDR-M700 is priced at around US $449 and the PDR-M500 at around US $349. NEW YORK, NY, June 17, 2003 (Digital Experience! 2003 Show) – Toshiba Imaging Systems, a division of Toshiba America Information Systems, Inc., today introduced its new M Series — two multi-featured digital cameras boasting 10X optical zoom Canon® lenses, ultra-bright 2.5-inch LCDs, blazing high-speed continuous shooting, and a long-running AVI video mode with audio.
Both M Series cameras — the PDR-M500 2.0 megapixel camera (US $349) and the PDR-M700 3.2 megapixel camera (US $449) — are designed to meet the needs of advanced amateur shutterbugs seeking a variety of high-quality photographic and inventive multimedia requirements. They are expected to ship in early July.
“The PDR-M500 and PDR-M700 represent a number of firsts for Toshiba in digital cameras, including our most powerful telephoto zoom with total 40X zooming capability, our fastest continuous shooting, and our largest LCD screen,” said Doug Freck, Vice President and General Manager, Toshiba Imaging Systems. “We are very excited about these cameras as they are a perfect complement to today’s digital lifestyle.” Stylish, compact, and feature-rich, the two new cameras are identical in appearance, apart from the color of their housings. The PDR-M500 sports a high-tech silver hue, while the PDR-M700 has a classic champagne tint. The body design mirrors the traditional look and feel of a 35mm SLR camera while showcasing the impressive digital technology.
In the booming category of digital cameras for consumers, M Series cameras are standouts. With their wealth of advanced photographic features and controls, the PDR-M500 and PDR-M700 redefine what a digital camera should be.
For more information, U.S. customers can call 1-800-288-1354. Fax, 1-800-640-8674. Or visit Toshiba on the Web at www.dsc.toshiba.com. Consumers are encouraged to visit www.shoptoshiba.com for on-line shopping.
Toshiba US confirm 4mp PDR-M81
From dpreview.com It’s two weeks since we caught news of the 4 megapixel PDR-M81 from Toshiba Japan. Toshiba US will present the PDR-M81 on Monday at Digital Focus and PC Expo. We’ve just received the official press release. Labelled as 4.2 megapixels the camera outputs a 2400 x 1600 image (3:2 ratio) which works out at 3.84 megapixels. It has an (unusual) 2.8x optical zoom lens (made by Canon) supports Print Image Matching, weighs in at 240 g (no batts) with an expected retail price of approx. US$600. Toshiba Sets New Standard for Consumer Digital Camera Excellence, PDR-M81 Offers 4.2 Megapixel Performance, AVI Video/Audio Recording, Advanced Auto/Manual Operations, USB Connectivity & Newly Designed Lens System
IRVINE, CA, June 18, 2001 — Toshiba Imaging Systems, a division of Toshiba America Information Systems, Inc., today announced that it is bringing the powerful imaging capabilities of a 4.2 Megapixel CCD sensor to its award-winning digital camera line-up by launching the new PDR-M81 digital camera.
The PDR-M81 digital camera will be shown publicly for the first time at the PC EXPO trade show in New York, New York, on June 24, 2001. It is expected to be on store shelves in July with an MSRP under $1,000.
With its ability to capture high-resolution 2400 x 1600 images, the PDR-M81 raises the quality bar for consumer digital picture taking. Aiming to appeal to the broadest range of consumers, business people and photographers, Toshiba engineers cleverly combined the PDR-M81′s next generation imaging technology with a user-friendly “point and shoot” design and a wealth of exciting audio/video features.
“The PDR-M81 brings to the market an unprecedented level of imaging performance, making it an ideal choice for photographers making the transition from analog to digital imaging, as well as for current digital camera users looking to upgrade to the next level,” said Doug Freck, Vice President & General Manager, Toshiba Imaging Systems. “While other manufacturers are talking about consumer digital photography someday reaching the same quality as traditional photographic film, Toshiba is doing it here and now.”
VERSATILE & POWERFUL
Boasting an awesome 4.2 million-pixel CCD sensor along with a 35mm-equivalent lens (35-98mm) with 6X zoom, the PDR-M81 captures images of such natural color and clarity that they truly mirror the appearance of pictures taken with non-digital cameras. Printing these images at 300dpi yields eye-catching photographs suitable for framing or family photo books, or for archiving and sharing memories digitally on a CD. In addition, business people will find that they can easily incorporate the camera’s JPEG-format images into top-notch looking brochures, reports and presentations. Plus, thanks to the camera’s ability to shoot at lower-resolution settings (1200 x 800, 720 x 480), the PDR-M81 is also perfect for producing internet-ready photography and video for web pages or e-mail attachments.
The PDR-M81′s arsenal of professional-level features includes a newly redesigned lens (f=7.25-20.3mm) equipped with a 2.8X optical zoom and a 2.2X digital zoom. The lens has a macro mode for photographing subjects as close-up as four-inches away. The all-glass Canon® lens was designed using 7 elements in 5 groups to reduce distortion and provide maximum resolution.
NEW AUTOMATIC & MANUAL FEATURES
The PDR-M81′s automatic settings take the guesswork out of digital photography. Features such as a high-precision auto white balance; an auto exposure control that automatically selects the best aperture and shutter speed for a specific setting; an auto-focusing system; and auto-sensing flash technology that adjusts flash output to lighting conditions, allow new users to experience the fun and satisfaction of being a digital photographer just minutes after taking the camera out of the box.
In addition to the convenience of automatic operation, the PDR-M81 comes equipped with manual features to aid discriminating photographers in achieving their own personal vision. The user-selectable white balance settings accommodate for diverse lighting conditions such as outdoors, cloudy, incandescent and fluorescent. The full manual exposure control enables the user to select the appropriate shutter speed (1/2 second to 1/1000 second) and f-stop in 1/2-stop increments up to +/- 2 stops.
There is also an aperture priority AE mode for choosing the f-stop, as well as a shutter priority AE mode for selecting the right shutter speed to capture images of fast-moving subjects. Photo enthusiasts will also appreciate the greater control afforded by the camera’s manual focusing, burst shot mode, and range of ISO settings.
Boasting a working range up to ten feet, the built-in flash system has several modes to choose from including slow-sync for artistic photography involving moving or low light subjects. Other modes are automatic, red-eye reduction, and fill-in flash.
PORTABLE, MULTI-FUNCTION DEVICE
Among the smallest digital cameras available, the PDR-M81 makes a striking impression with its highly polished silver and black color scheme. And while it weighs less than 8.5 ounces and sports pocketsize dimensions, it is laden with today’s most in-demand features.
As a legacy feature of the popular Toshiba PDR-M70 camera released a year ago, the PDR-M81 has an AVI movie mode that lets users film up to three minutes of video at 160 x 120 resolution (15 fps), or 60 seconds at 320 x 240 (15 fps). Sound can be recorded during the video filming by using the camera’s built-in microphone. When the video is finished it can be viewed on a computer monitor, a television (NTSC/PAL), or on the camera’s 1.5-inch polysilicon color LCD. The video can even be used to spruce up a web page or as a creative e-mail attachment.
The PDR-M81 features automatic playback of images on its LCD so users can view and select which pictures they want to keep or erase. This process is made easier by a digital 2X zoom that allows for zeroing in on areas within a specific picture. Other playback options include a multi-frame playback for viewing up to 9 images at once, and an automatic slideshow.
Accessories include an 8MB SmartMedia card, a USB cable for fast downloading of images, serial cable, wrist strap, protective lens cap, a soft carrying case, and a CD-ROM containing a USB driver and Sierra Imaging’s popular ImageExpert® software for managing, editing and accessing images.
The Toshiba PDR-M81 camera is Windows® and Macintosh® compatible. Four AA-sized batteries power it. Click here for samples from a Beta PDR-M81 (posted by Yamada Kumio)
* CCD is likely to be the Sharp RJ21R3BA0PT.
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Sony has launched the SLT-A37 entry-level 16MP SLT camera and the enthusiast-grade 18-135mm F3.5-5.6 SAM standard zoom. The A37 is a refreshed replacement for the A35, bringing the entry-level model into line with the rest of the SLT lineup. Meanwhile the 18-135mm F3.5-5.6 SAM lens offers Alpha mount users a more flexible upgrade option over the entry-level 18-55mm without having to stretch to the 16-50mm F2.8. The A37 will be available from June at a cost of $600 with 18-55mm kit zoom. The 18-135mm lens will follow in July for $500 or as a $200 premium over the basic zoom kit cost with any of the company’s SLT cameras.
Sony has announced the NEX-F3 entry-level 16MP mirrorless camera and lightweight 18-200mm F3.5-6.3 OSS stabilized superzoom lens with for the E-mount. The NEX-F3 gains a built-in flash, along with the updated 16MP sensor from its NEX-5N big brother. Its big party trick is undoubtedly its LCD, whose image automatically mirrors when it’s flipped up for taking self-portraits. Meanwhile, the E18-200mm F3.5-5.6 LE OSS is a more compact, lighter 11x superzoom lens for the NEX system. Starting in June, the NEX-F3 will have an MSRP of around $600, while the SEL18200LE will sell for around $850 from July.
German manufacturer Rollei has announced its offering for the 8 megapixel market with the dp8300. The metal-bodied compact offers a 36 – 108 mm 3x zoom lens, large 2.5-inch LCD, 5cm macro function plus 640 x 480-pixel movie mode which is limited only by the size of the memory card. The Rollei dp8300 will be on sale at the end of the month for around €349 ($422).
Photokina 2010: Ricoh has announced the GR Lens A12 28 mm F2.5 wideangle prime module for its GXR system. Its 18.3mm F2.5 lens (28mm-equivalent) employs an exotic nine element / six group design, including two aspherical elements, one special low-dispersion glass element, and several high-refraction-ratio elements, promising high image quality across the frame. This fourth module for the interchangeable unit system also features a 12Mp APS-C CMOS sensor, a faster GR Engine III processor and 720p HD video recording. It also comes with a manual focus ring for focus precision and an electronic level.
Capital Online Revenue Introduces Innovate Business Education Techniques
As an alternative to more traditional methods of learning about business and commerce, Capital Online Revenue introduces a new “earn and learn” training program.
Though business colleges remain in great supply, more and more Americans are turning to alternative sources of training and education, particularly during these days of economic upset and uncertainty. The simple truth is that with layoffs so prevalent and incomes so unsteady, investing in a full-time business education simply isn’t a viable option for many entrepreneurs. Instead, they are looking to business training modules that allow for on-the-job training, providing a way to master the tools of the trade even while making a profit. Capital Online Revenue continues to spearhead this movement with the introduction of its new “earn-and-learn” business training techniques.
Different from both traditional business education courses and even other online endeavors, Capital Online Revenue is a service that extends to customers a wealth of resources for learning about online business. What makes Capital Online Revenue services unique, however, is the fact that its training techniques are implemented in real-time. In other words, customers are both learning about online business and establishing their own online business both at the same time.
Though the notion of a make-money-online opportunity is hardly new, the methods being introduced by Capital Online Revenue are unlike anything yet devised by its competitors. What makes this service different is the emphasis it places on its training aspects. Though the long-term goal is for customers to establish their own online business, this comes hand-in-hand with an array of training resources and materials that include not only tutorial videos, but also a unique training component that includes one-on-one coaching from a team of live experts. Capital Online Revenue extends these services through a variety of media, including online chat, e-mail, and phone.
Capital Online Revenue introduction of these features has already met with enthusiasm from its current customer base. The service continues to define its niche, appealing to retirees, stay-at-home-parents, and working professionals who simply lack the time or resources necessary to attend more conventional business classes.